Pinocchio
by Carlo Collodi, E. Harden (Translator)
ISBN: 014036708X
Format: Paperback: 262 pages
Pub. Date: Reissue edition (May 1, 1996)
Publisher: Puffin Books
The Personification of
Irresponsibility
Politically Incorrect and Proud of It
Review by Daniel Muniz
The original unabridged
Pinocchio by Carlo Collodi is a book that will no longer be read in
elementary schools.
Pinocchio is politically
incorrect, harshly blunt, and at times, frightening for today’s
young pampered audiences. The original Pinocchio is not merely a
naughty little boy as depicted by Disney but almost a sociopath on a
string who is reckless, self-centered, and self-absorbed.
Most people accustomed to
the cute Disney doppelganger fondly remember Pinocchio as the
charmingly irresistible and almost innocent marionette who tramples
his way through a colorful fairy tale. Disney or other watered-down
versions portrays the character Pinocchio the way parents want to
see him and ultimately the way parents want to see their own
children.
Unfortunately, kids can be
little monsters in which cause and effect have little meaning. The
original Pinocchio paints an unpleasant embarrassing composite of
the ugliness that all children and teenagers possess which is
something that most parents want to ignore in today’s modern age.
The story line is simple.
Once Pinocchio becomes animated, he is rebellious to his father
along with all forms of authority and to any rules or structure. He
has no desire to learn and refuses to go to school. Outside of
school, he also has absolutely no intention in finding any
employment or performing any kind of work. In essence, Pinocchio
takes great pleasure in laziness and irresponsibility which really
isn’t much different than lots of kids or teenagers regardless of
generation.
Furthermore, this marionette
can be as cruel as he is reckless which is something else that
parents want to avoid thinking about.
And finally, Pinocchio
constantly lies and lacks honesty and integrity.
Ultimately, Pinocchio rejects everything and to differing degrees
of magnitude, he is hardly any different than any other kid. As a
result, the consequences are severe as they often are in the real
world. Subsequently, he is constantly victimized and harassed by an
unforgiving environment, especially when he socializes with the
wrong crowd.
And even worse, when Pinocchio chooses to be a good respectful
child, he is harassed even more.
The political incorrectness
is also just as harsh. The book slams the welfare state,
irresponsibility, and laziness in many clever ways.
Naturally, parents are revolted by such a depiction of children.
In today’s murky world of moral relativism and situational ethics,
parents are almost as embarrassed and uncomfortable discussing
universal values such as honesty, integrity, and responsibility as
they are with talking to their kids about sex.
Indeed, too many contemporary parents view kids as adults wearing
children’s clothes. Outside of wishful thinking, our youth are not
born with maturity, reason, and values; they must be instilled and
ultimately accepted or rejected.
Pinocchio is a timeless
story that opens up the challenges of parenthood as well as
childhood. There are plenty of counterfeits that reflect the sterile
Disney version, therefore you must make sure that you find the
original unabridged translation.

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